At the Edinburgh Fringe, comedian Chris Grace brings rare intellectual nuance and sophisticated wit to divisive cultural topics in his sharp new show, 88%.
Trading white corpse-paint for brutalist techno pulses, Conan Amok’s R/evolution(s) turns contorted bodies into a lucid, startlingly modern act of butoh.
Armed with paddles, pre-show surveys, and audience confessions, Frank Skinner wrangles the perils of interactive comedy into a sharp Edinburgh Fringe success.
With five doors and four restless bodies, EXIT turns the ordinary mechanics of coming and going into an inventive, beautifully polished choreographic game.