With Alan Cumming unveiling more of his 2027 season, what will the future be for Pitlochry Festival Theatre once the Hollywood stardust inevitably fades away?

Simon Russell Beale renders Liberace’s gaudy hypocrisy irresistible in Martin Sherman’s Pitlochry premiere, sparring with Fra Fee in an astute study of shame.

Siobhan Redmond brings formidable defiance to Samuel Beckett’s Happy Days at Pitlochry Festival Theatre, paired with Forbes Masson in a vibrant production.

Alan Cumming and Shirley Henderson bring effortless warmth to A History of Paper, a bittersweet musical turning scraps of memory into a tender romance.

Review: 'I Can Die Too' at Pitlochry Festival Theatre boasts striking design but ultimately struggles under the weight of its own chaotic, unfinished script.