In Maryam Garad’s sharp one-woman thriller, an ex-con’s fixation on a wellness influencer becomes a nuanced, unsparing study of class, envy, and autonomy.

Despite formidable vocals and highly polished staging, this revue of disgruntled princesses founders on thin, relentlessly dated late-nineties satire.

In this joyous, chaotic homage to Crompton, an impossibly large cast of extroverted kids squeezes minor theatrical miracles onto a tiny Edinburgh stage.

At the Edinburgh Fringe, YES Person channels anarchic circus energy and endless invention, even if its refusal to kill its darlings obscures a clear core.

At the Edinburgh Festival Fringe, Twitter’s unofficial poet laureate trades big belly laughs for gentle charm, delivering an understated, wryly clever hour.