In Babyface, Nick Tipa blends professional wrestling and physical theatre into a tender, astonishing coming-of-age study of childhood armour.

With a soaring alto and gothic disdain, Katie Norris transforms a critic’s insult into Mother Succubus, a razor-sharp, musical study of modern dating horror.

In White Lies, Fiona Allen elevates suburban misanthropy and petty subterfuge into a wry, Alan Bennett-style study of middle-class dinner-party evasion.

Vocal prowess meets nineties nostalgia in Hajar, Like Badger, Hajar J Woodland’s soulful, funny musical coming-of-age study of faith and identity.

In Gawa Leung’s razor-sharp dark comedy HATER, artistic tokenism and actor scarcity ignite an absurd, audience-voted duel of toxic female rivalry.