'Running a Fringe venue takes a certain kind of idiot,' William Burdett-Coutts launches EdFest.com 2026, artist support, ticket offers and a Fringe crisis.
Tim Crouch has never been a theatre-maker to patronise young audiences. In Toto Kerblammo!, the playwright and director delivers a sophisticated, emotionally bruising, and ultimately beautiful exploration of childhood trauma…
Joan Clevillé on 40 years of Scottish Dance Theatre: the Artistic Director discusses grassroots origins, funding realities, and a new international double bill.
Scottish Opera’s revival of The Marriage of Figaro is a sharp, vibrant English-language staging that unearths the comedy's radical edge. Read our review.
