Conrad Murray explains how his beatbox-led Pied Piper tour is reclaiming "high culture" for working-class voices through the lens of hip-hop and grime.

Cult comedian Shenoah Allen discusses his new solo show, Bloodlust Summertime at Soho Theatre, leaving The Pajama Men behind to confront his chaotic youth.

Derek McLane's set shines in a production that struggles with its theatrical format. A mixed but visually powerful look at the Holocaust.

Charlotte D'Angelo reviews Pina Bausch's Sweet Mambo. A bittersweet, technically exquisite, but testing look at female desire.

How do you stage a "poisoned chalice"? Tom Kiteley and Christopher McElroen on the challenges of bringing the historic 1965 debate back to the London stage.