At Shakespeare’s Globe, Chelsea Walker dresses “Much Ado About Nothing” in Versace and swagger, letting Pippa Nixon and Ken Nwosu turn farce into fine sport.
As Matthew Warchus departs the Old Vic, Phillip Breen revives Ayckbourn’s How the Other Half Loves—a sly, suburban farce of class, combat, and bad choices.
Great works achieve the impossible by treading that fine line between truth and contradiction — works that make you laugh as well as cry, that make you think thoughts you…
As Tall Stories’ stage adaptation marks its 25th anniversary, the cast and company reflect on keeping Julia Donaldson’s monster fresh for new audiences.
Why does the Camden Fringe prefer pragmatism to empire building? Co-founders Zena Barrie & Michelle Flower look back on 20 years of independent London theatre.
