Fraser Kelsey delivers a powerhouse performance in Sláinte! Theatre's daring new Fringe drama, even if an abrupt final act leaves questions on the table.
In Harriet Richardson’s hilarious ‘Creep,’ an unhinged slide-deck investigation turns everyday cyber-espionage into an artful, five-star communal confession.
With a soaring alto and gothic disdain, Katie Norris transforms a critic’s insult into Mother Succubus, a razor-sharp, musical study of modern dating horror.
In White Lies, Fiona Allen elevates suburban misanthropy and petty subterfuge into a wry, Alan Bennett-style study of middle-class dinner-party evasion.