In December 1954, a small group of suburban Americans prepared for the end of the world. Convinced by messages channelled through automatic writing, they gave away their savings, walked out of jobs, and cut every metallic fastener from their clothes to await extraction by a flying saucer. Midnight came. The skies stayed empty. No craft touched down.
Common sense would suggest humiliation, followed by a quiet retreat into private life. They did the exact opposite. Deciding their solitary vigil had moved God to spare the Earth from a cataclysmic flood, they telephoned the press and began proselytising with fresh fury. The observers embedded in their ranks—sociologists Leon Festinger, Henry Riecken, and Stanley Schachter—turned the incident into the 1956 study When Prophecy Fails, establishing the mechanics of cognitive dissonance.
Seven decades later, Scottish theatre company Groupwork took that psychological collapse as the basis for a physical theatre production. Following a sold-out run at the Edinburgh International Festival in August, the ensemble is now touring the work across six Scottish venues, opening tonight at The Lemon Tree in Aberdeen before concluding at Glasgow’s Tron Theatre in February 2027.
Apocalyptic believers are easy targets for caricature. Plenty of stage treatments reduce cultists to simple eccentrics or fodder for broad satire. Groupwork took a colder, more disciplined route. Reviewing the production for The Quinntessential Review, Yuxi Jiang noted this refusal to treat the followers ‘simply as objects of ridicule.’ Instead of mimicking the detached view of the original sociological text, the ensemble set out to capture ‘what that certainty feels like from the inside.’
The production strips away conventional melodrama in favour of quiet, mounting tension. Inside a mid-century domestic room, performers Grace Gibson, Amy Kennedy, Hope Kennedy, Samuel Pashby, and Dylan Read execute tightly controlled routines disrupted by manipulated audio and video projections. For Jiang, the impact of the staging came down to the restraint shown by co-directors Vicki Manderson and Finn den Hertog. Rather than leaning into frantic stage business, the choreography relied on ‘stillness, repetition and slow shifts of attention,’ locking the audience into ‘the suspended experience of waiting for something that may never arrive.’



At a Glance
- Direction & Choreography: Vicki Manderson and Finn den Hertog
- Text, Music & Video: Lewis den Hertog and Finn den Hertog
- Design: Milla Clarke (Set & Costumes), Benny Goodman (Lighting)
- Cast: Grace Gibson, Amy Kennedy, Hope Kennedy, Samuel Pashby, Dylan Read
- Tour Window: 17 September 2026 – 6 February 2027
This territory is familiar ground for Groupwork. Formed in 2019 by Manderson alongside brothers Finn and Lewis den Hertog, the company made an early mark with The Afflicted, a physical theatre piece examining an outbreak of motor tics among American schoolgirls that picked up a Scotsman Fringe First award. Their 2022 follow-up, The Hope River Girls, sustained that interest in community hysteria and mass psychology.
Yuxi Jiang noted this refusal to treat the followers ‘simply as objects of ridicule.’ Instead of mimicking the detached view of the original sociological text, the ensemble set out to capture ‘what that certainty feels like from the inside.’
For When Prophecy Fails, the directors reassembled their long-standing production team. Designer Milla Clarke provides the period set and wardrobe, lit by Benny Goodman, while Lewis den Hertog supplies the composition, sound design, and video work running alongside a script co-written with Finn den Hertog.
Taking the production beyond the festival circuit marks the next phase for the work, which travels north to Aberdeen before stops in Paisley, St Andrews, Dundee, Greenock, and Glasgow. For the company, the regional run offers a chance to test appetite for physical, multidisciplinary theatre with audiences outside the capital.
Speaking on the Scottish tour, Groupwork said:
‘We are really excited to be taking When Prophecy Fails on tour across Scotland, following the success of the work at the Edinburgh International Festival this year. As part of this, we’re proud to be presenting the piece in our hometown of Dundee and in our chosen home of Glasgow.
This opportunity to share the work with Scottish audiences is a thrilling moment for us. We know that there is a real appetite for our kind of multidisciplinary, popular yet provocative storytelling and we are looking forward to seeing how this lands with theatre-goers throughout the country.’
The tour opens tonight at The Lemon Tree in Aberdeen, running through the autumn before closing with a three-day run at Glasgow’s Tron Theatre in February.
Featured Image: When Prophecy Fails by Groupwork © Mihaela Bodlovic
Tour Details
- 17 September 2026: The Lemon Tree, Aberdeen (7.00pm)
- 23 September 2026: Paisley Arts Centre, Paisley (7.30pm)
- 8 October 2026: Byre Theatre, St Andrews (7.30pm)
- 15 October 2026: Dundee Rep, Dundee (7.30pm)
- 23 October 2026: The Beacon, Greenock (Galoshans Festival, 7.30pm)
- 4–6 February 2027: Tron Theatre, Glasgow (7.30pm; 2.30pm matinee on 6 Feb; captioned)














