George Williams shines in Theatre Iolo’s Owl at Home, a delightfully cozy, philosophically minded adaptation of Arnold Lobel’s quiet children’s classic.
Anchored by masterful puppetry, Michele Stine’s Always Sometimes Maybe elevates a janitor's profound isolation into a tender, sincere plea for connection.
Exploring dementia through sunny beach imagery, Kook Ensemble’s Sand is a compelling, if structurally fractured, attempt to visualise what is being lost.
