Changing Perspectives’ solo Salome trades Oscar Wilde’s simmering tragedy for surreal abstraction, despite Naz Yeni’s spirited Edinburgh Fringe performance.

Fraser Kelsey delivers a powerhouse performance in Sláinte! Theatre's daring new Fringe drama, even if an abrupt final act leaves questions on the table.

In Harriet Richardson’s hilarious ‘Creep,’ an unhinged slide-deck investigation turns everyday cyber-espionage into an artful, five-star communal confession.

In Bailey Edwards’s sharp, unsettling “Play Dead,” romantic obsession is recast as Ovidian tragedy, complete with a pilfered dog and a glut of grapefruits.

In The Distance at Summerhall, Ben Norris turns the gruelling solitude of cross-country running into a sweat-soaked, poignant portrait of ambition.