In Shrewsbury School’s swaggering Brodie & Co., a gifted teenage cast dazzles, even if a disjointed book hampers this musical study of Deacon Brodie.

In Compagnia Bellanda’s hypnotic Il canto dell’assiolo, breaking and contemporary dance collide in a raw, unflinching study of romantic partnership.

In YoChen Yeh’s singular Dragon, six dancers merge and recoil before a robotic arm, interrogating the tense threshold between organic body and machine.

Amid Edinburgh’s dizzying din, Les Foutoukours’s Glob offers a rare, radiant stillness—a wordless clown show of unexpected magic and gentle, wintry charm.

‘Endgame’ (Flabbergast Theatre, EICC) is Samuel Beckett’s existential masterpiece, written after he had nursed his brother, who was dying of lung cancer and in a period after ‘Godot’, when he…