Paul Howard’s The Sh*t Table extracts exquisite, toxic hilarity from wedding reception exile. Don’t Think Twice Theatre delivers a flawless Fringe triumph.

In SLAY, writer-performer Lois-Amber Toole channels Gen-Z bravado and trauma into a darkly funny, surreal, and fiercely original solo performance.

Stockard Channing guides David Westhead through a bleakly witty, finely calibrated revival of Beckett’s Krapp’s Last Tape at Edinburgh’s Assembly Roxy.

In Maryam Garad’s sharp one-woman thriller, an ex-con’s fixation on a wellness influencer becomes a nuanced, unsparing study of class, envy, and autonomy.

Despite formidable vocals and highly polished staging, this revue of disgruntled princesses founders on thin, relentlessly dated late-nineties satire.