From higher education to theatre chair, Dame Joan Stringer reflects on a decade of financial risk, engineering, and saving Edinburgh's King's Theatre.

Mel Hudson discusses stepping away from double-act sketch comedy, midlife romance, and her debut solo hour at the Edinburgh Fringe.

The Wiradjuri dancer and choreographer discusses vulnerability, using comedy against trauma, and bringing his solo show to the Fringe.

As Tall Stories’ stage adaptation marks its 25th anniversary, the cast and company reflect on keeping Julia Donaldson’s monster fresh for new audiences.

Why does the Camden Fringe prefer pragmatism to empire building? Co-founders Zena Barrie & Michelle Flower look back on 20 years of independent London theatre.